As I've mentioned a few times in the past (see "Hell keeps freezing over..." and "I can't tell you why..."), I am a huge fan of the rock-n-roll band, The Eagles. After the band first broke up (some thought for good) in 1980, lead singer, co-founder, and drummer Don Henley embarked on a solo career, releasing his first album "I Can't Stand Still" in 1982. The second hit single from the album was "Dirty Laundry", which peaked at number 3 on the Billboard Hot 100 that same year. It was a great song about sensationalism in the media:
We got the bubble-headed bleached-blonde, comes on at five.
She can tell you 'bout the plane crash with a gleam in her eye
It's interesting when people die
Give us dirty laundry.
Well, it was exactly that lyric that kept popping into my mind when I read Amusing Ourselves to Death: Public discourse in the Age of Show Business by the culture critic, author, and educator Neil Postman. Postman died in 2003, so the book is a little old. Surprisingly though, it is not outdated! He focuses upon how television, the most important form of mass media at the time, has fundamentally changed how we view the world. News has become entertainment. What I found interesting was how he said our contemporary world (and I think his comments are just as true today as they were when the book first came out in 1985) was better reflected by Aldous Huxley's novel Brave New World, where the public is oppressed by their addiction to entertainment and pleasure, as opposed to George Orwell's novel 1984, in which the public is oppressed by the state. Television has become our soma, Huxley's "opiate of the masses".
As Terence Moran wrote in his 1984 essay, "Politics 1984:That's Entertainment", "Orwell was wrong...The dominant metaphor for our own 1984 is not Orwell's image of a boot stamping down on the race of humanity but the magical and instantaneous solutions to all our problems through technology...In this technological society, we have replaced freedom with license, dignity with position, truth with credibility, love with gratification, justice with legality, and ideas with images."
Postman builds upon Moran's essay and particularly criticizes the news media and what he calls the "Now...this" culture that it has created. Echoing Don Henley's "Dirty Laundry", Postman writes that ""...many newscasters do not appear to grasp the meaning of what they are saying, and some hold to a fixed and ingratiating enthusiasm as they report on earthquakes, mass killings, and other disasters...the viewers also know that no matter how grave any fragment of news may appear...it will shortly be followed by a series of commercials that will, in an instant, defuse the import of the news."
Postman also talks about the breakdown of trust in society, again largely placing the blame on television as the principal source of information in society, at least back then. He writes, "The credibility of the teller is the ultimate test of the truth of a proposition. 'Credibility' here does not refer to the past record of the teller for making statements that have survived the rigors of reality-testing. It refers only to the impression of sincerity, authenticity, vulnerability, or attractiveness (choose one or more) conveyed by the actor/reporter...This is a matter of considerable importance, for it goes beyond the question of how truth is perceived on television news shows. If on television, credibility replaces reality as the decisive test of truth-telling, political leaders need not trouble themselves very much with reality provided that their performances consistently generate a sense of verisimilitude."
What is true of the television news reporter is unfortunately even more true of the politician. Postman laments the fact that politics has focused upon the appearance of sincerity and authenticity (read here "attractiveness") as opposed to actually telling the truth. He goes on to describe, in words that are eerily reminiscent of today's Internet, television as "...altering the meaning of 'being informed' by creating a species of information that might properly be called disinformation...Disinformation does not mean false information. It means misleading information - misplaces, irrelevant, fragmented, or superficial information - information that creates the illusion of knowing something but which in fact leads one away from knowing it."
As he goes on to compare and contrast today's society with the dystopian novels of both Aldous Huxley and George Orwell (both of which I had to read in high school), he writes, "Censorship, after all, is the tribute tyrants pay to the assumption that a public knows the difference between serious discourse and entertainment - and cares." In the Orwellian universe, the public falls victim to state oppression through censorship. However, in order for censorship to be meaningfully effective, the public has to (1) know the difference between serious discourse and entertainment and (2) more importantly, care that there is a difference. In Huxley's universe, the public neither knows the difference nor cares about it. Postman suggests that Huxley's world is the world in which we live today.
I can only imagine what Neil Postman would think about what is happening in our world today. Social media has taken over as the source of information for most Americans - certainly those in the younger generations. Disinformation no longer just seems to be the norm, it is the norm. We have become what Postman perhaps most feared. Our world has become more like Huxley's than Postman could have ever known.